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The New Statesman Daily The best of the New Statesman, delivered to your inbox every weekday morning. World Review The New Statesman’s global affairs newsletter, every Monday and Friday. The Crash A weekly newsletter helping you fit together the pieces of the global economic slowdown. Select and enter your email address Morning Call Quick and essential guide to domestic and global politics from the New Statesman's politics team. Also among the chosen few are the gruff doctor Charles (Rufus Sewell), his younger wife Chrystal (Abbey Lee) and their family, as well as Patricia (Nikki Amuka-Bird), a psychologist given to touchy-feely jargon. These include the troubled couple Guy (Gael García Bernal) and Prisca (Vicky Krieps), and their children, 11-year-old Maddox (Alexa Swinton) and six-year-old Trent (Nolan River), who is downhearted to discover he is too young for scuba diving. The cove in question is reserved for specially invited guests from a nearby upmarket resort. Unfortunately, M Night Shyamalan – the shlock-pedlar behind The Sixth Sense and Split – got there first. The director François Ozon has spent much of his career on the beach in films such as the sun-kissed shocker Regarde la Mer and the psychological drama Under the Sand, so it’s tempting to imagine the sort of suspense he would have brought to Old, a new thriller confined to a secluded tropical cove. Directors have been scrawling their stories in the sand since the beginnings of cinema: Luis Buñuel and Salvador Dali’s 1929 surrealist masterpiece Un Chien Andalou ended with a couple half-buried on a beach Burt Lancaster and Deborah Kerr looked a good deal livelier writhing together in the waves in From Here to Eternity and Charlton Heston found the clue to a cosmic riddle poking out of the sand in Planet of the Apes.

Old m night shyamalan